Short film by Dan Sully. Screened on Channel 4 as a Random Act, released theatrically by Soda Pictures (2012), released online by VICE. An Escape Films and LOVE production.

Dan Scully's 'The Ellington Kid' is an impressive display of enthralling entertainment, accurately representing the daily life of young (presumably working class) adults in the heart of London. The short film critically observes social issues, such as: young crime, knife crime, refugee's stereotypes and prejudice. 

The most notable facet of thee film, was it's aesthetic, and how it stayed true to its British roots.  The lack of camera movement within the film, is a replication of a negative attitude held amongst Brits  about the status of their own individual lives - their inability to escape or 'move away' from the mundane and monotonous.  We refuse to escape, because we get too comfortable and attached  to the safety of a repetitive routine - a strictly regulate self governed regime if you will. This idea is heavily influential within comedy. American comedy is often optimistic, whilst British comedy is fuelled by failure and pessimism. Another way in which this idea is achieved is through the dull saturated colour pallet.

The short film also lacks focus on any given character, this was a vital part of the film's success, as it had allowed the narrative to flow smoothly - keeping the film short, simple but effective. This may be something that I consider, when I make my own short film.

Edgar Wright's 'Blue Song' by Mint Royale.

Edgar Wright's 'Blue Song' by Mint Royale.



Edgar Wright's music video for 'Blue Song' by Mint Royale, was a very intriguing watch, which I had enjoyed from start to finish.

The most noticeable micro-element within the film, was the performance which was delivered by comedian Noel Fielding. In just a few minutes, Noel was able to present to the audience a cheeky and audacious character, whose personality alone, maintained the audience's interest, whilst constantly maintaining an ere of excitement. The performance was fully of energy and every action was well choreographed - this was important as it allowed the actor to preserve his characterisation.

The use of camera also added an energetic dynamic to the film. For the most part, the camera was constantly on the move, constantly drawing the attention to different objects. The director intentionally prevents his audience from creating a focus, because it could be too distracting. The premise of the video is simple. There is a bank robbery taking place, and the get away driver is waiting for his accomplices to reappear. The director makes sure that the audience doesn't forget that this is the scenario, and that this is the narrative.

If I have learnt anything from this music video, it is that performance and camera movement are absolutely vital within a short film too create dynamics, tension and energy. Furthermore, I have also come to appreciate the director's commitment to staying true to his simple narrative. The moment that the narrative is lost, is the moment the film/ video begins to fall apart from the seems.